舞台指令对戏剧冲突的作用——以《玩偶之家》为例

范文编号:YY290  字数:8804.页数:24，有开题报告，任务书，文献综述

摘    要
 本文首先结合前人的研究，指出舞台指令与对话一样，也应当是戏剧文体学家的重要研究对象；然后指出，语用学是研究戏剧舞台指令的视角，本研究运用语用学中的重要理论，如言语行为理论，扩展的言语行为理论，和合作原则；本文认为，易卜生《玩偶之家》中的冲突代表性极强，适合作为样本，因此选取开端﹑高潮和结尾部分进行研究，通过挖掘舞台指令的隐含意义，探讨其对表现《玩偶之家》中娜拉与海尔茂的冲突是否有作用。通过样本分析，本研究证明，舞台指令对表现戏剧冲突具有重要作用，舞台指令是戏剧文本不可或缺的因素之一。
 
 关键词：戏剧舞台指令；语用学；戏剧冲突；《玩偶之家》
ABSTRACT
 With the help of previous research, this paper points out that the stage directions, like the dialogue, should be seen as an important object for drama stylisticians. It then takes pragmatics as a perspective on the study of stage directions. The major pragmatic theories employed are speech act theory, the expanded model of speech act theory and the cooperative principle. The author of this paper believes Ibsen’s A Doll’s House is a representative of conflicts of drama, and is suitable for analysis. Taking the exposition, climax and resolution as samples, this paper endeavors to draw implied meanings in stage directions, by which, we try to see whether the stage directions have anything to do with conflicts between Nora and Helmer in A Doll’s House. The sample analysis suggests that stage directions play an essential role in revealing conflicts of drama, and it is one indispensable element in drama texts.
 
Keywords：stage directions of drama; pragmatics; conflicts of drama; A Doll’s House

Contents

1. Introduction 1
2. Literature review 2
2.1 Literature review on conflicts of drama 2
2.2 Literature review on A Doll’s House 3
2.2.1 Literary studies 3
2.2.2 Pragmatic studies 3
3. A Pragmastylistic perspective on stage directions of drama 5
3.1 The stage directions as an important object for analysis 5
3.2 Pragmatics as a perspective 7
3.2.1 What is pragmatics? 8
3.2.2 Speech, act 8
3.2.3 Cooperative principle 10
4. Samples for analysis from A Doll’s House 12
4.1 Sample one 12
4.2 Sample two 15
4.3 Sample three 17
5. Conclusion 21
Acknowledgements 22
References 23

List of tables
 
 1．Table One: the beginning 13
 2．Table Two: the middle 15
 3．Table Three: the end 18

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