现实与艺术的交织——论鲁迅笔下的绍兴风情

摘要

鲁迅的作品，把绍兴的社会生活，山川风貌，风土人情原汁原味的呈现给读者。本文以鲁迅的《故乡》、《祝福》、《风波》、《孔乙己》等作品为对象，从服饰、饮食、风俗的角度探讨绍兴文化对鲁迅创作的影响。

不同的服饰代表不同的身份,以闰土、阿Q的乌毡帽为例，说明乌毡帽代指下层劳动人民。以赵七爷的长衫为例，说明长衫代表富裕的上层人士。饮食以绍兴的茶文化和酒文化为例，窥探茶与酒对绍兴人生活的重要性。所以，《药》以茶馆为背景，《孔乙己》以咸亨酒店为背景。风俗部分主要以批判的角度介绍绍兴地区的祝福、抢亲、守节习俗，以《祝福》中的祥林嫂为例，揭露封建文化对绍兴人尤其是妇女的戕害。

关键词　绍兴；鲁迅；服饰；饮食；风俗

目 录

摘要···············································Ⅰ

引言··············································· 1

一、服饰··········································· 2

（一）乌毡帽······································· 2

1.乌毡帽的由来及特点···············································2

2.乌毡帽的使用对象·················································2

（二）长衫··········································3

1.长衫的由来·······················································3

2.赵七爷的长衫·····················································3

3.孔乙己的长衫·····················································3

二、饮食············································4

（一）茶馆··········································4

1.茶馆的客人·······················································4

2.茶馆的主人·······················································4

（二）咸亨酒店······································4

1.现实中的咸亨酒店·················································5

2.孔乙己的原型·····················································5

（三）舆论空间······································5

三、风俗············································5

（一）祝福··········································5

1.何为祝福··························································5

2.祝福禁忌··························································5

（二）婚俗···········································6

1.养媳妇·····························································6

2.抢亲·······························································6

3.守节·······························································6

四、结语·············································7

参考文献·············································8