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从文学作品中浅谈中西方婚姻观念的差异开题报告

Ktbg14622 从文学作品中浅谈中西方婚姻观念的差异开题报告Marriage is a problem that everyone will face. However, from ancient times to now, people's views on marriage in different regions have great differences. These differences are also reflected in many literary works of various countries."Differ..
从文学作品中浅谈中西方婚姻观念的差异开题报告 Ktbg14622  从文学作品中浅谈中西方婚姻观念的差异开题报告

Marriage is a problem that everyone will face. However, from ancient times to now, people's views on marriage in different regions have great differences. These differences are also reflected in many literary works of various countries.

"Different cultural backgrounds give rise to differences in marriage outlook and value orientation, which leads to the heterogeneous" Horizon of expectation "of Chinese and Western readers, which restricts the selection of materials, the shaping of task images, and the application of creative techniques in the creation of love themed works by Chinese and Western writers, so as to create love stories with different themes and styles. [1] As the saying goes, art comes from life, and a large number of literary works about love have been produced all over the world, such as the book of songs, one of the four great love stories in ancient China, and Jane Eyre and pride and Prejudice in the West The differences of love and marriage are incisively and vividly expressed.

The difference of marriage concept is mostly caused by the different situation in China. The traditional Chinese culture is deeply influenced by Confucianism, and the three cardinal principles and five principles and the idea of Chinese Rites also restrict people's emotion to a certain extent. The feudal thought restricts the communication between young men and women. The Chinese people highly respect the orders of their parents and matchmakers in marriage. At the same time, women abide by the rule of "no two doors, no step", which greatly limits men and women Freedom of communication. On the contrary, the western countries have always had a tradition of respecting women, which stems from the western people's belief in Christianity and the knight literature in the middle ages of the west, which established the higher social status of the Western women. The Western women can receive good education and have relatively independent personality.

This paper discusses the differences of marriage views between China and the West caused by traditional thoughts, the differences of marriage views presented by different female societies in China and the west, and the common points of love and Marriage Views between China and the west, trying to interpret the differences between Chinese and Western views of love and marriage from different literary works of China and the west, so as to better understand the reasons for the differences between Chinese and Western Marriage Views.

Outline 

1. Introduction

2. The difference between Chinese and western marriage

2.1 marriage view of the Chinese nation

2.2 marriage view of western culture

3. The great difference of marriage view

3.1 the formation of Chinese Marriage Concept

3.1.1 factors influencing the formation of Chinese Marriage Concept

3.1.2 the status of Chinese women in society

3.2 formation of Western Marriage Concept

3.2.1 factors influencing the formation of Western Marriage Concept

3.2.2 the status of Western women in society

3.3 common points in Chinese and western marriage concepts

4. Conclusion

5. References


           References
[1] A comparative study of marriage views between Chinese and Western literature from the perspective of Yu Jia's acceptance [J]. Journal of Changji Teachers College, 2001

[2] Zhang Lili's view of love in her literary works and the cultural differences between China and the West [J]. Heilongjiang Institute of education, 2008

[3] Jane Austen, pride and Prejudice [M] Beijing: foreign language teaching and Research Press, 1996

[4] Cao Xueqin, a dream of Red Mansions [M] Shanghai: Shanghai Ancient Books Publishing House, 1999

[5] Bronte. Translated by song Zhaolin. Jane Eyre [M]. Shanghai Literature and Art Publishing House, 2007

[6] Tang Xianzu, Ming. Peony Pavilion [M]. People's Literature Publishing House, Beijing, April 1963

[7] Wang Shifu, yuan. The romance of the west chamber [M]. China Youth Press, Beijing, January 2004

[8] Hong and Hei [M], written by Stendhal, translated by Dong Hongjun, Changjiang literature and Art Publishing House, 2006


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