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Analysisofwomen'simageinAmericanmoviesduringWorldWarII_开题报告

Ktbg14104 Analysisofwomen'simageinAmericanmoviesduringWorldWarII_开题报告The sociological theory of film believes that video witnesses social reality, and various elements in it are inextricably linked to society. The times make everything, and the success of a film is inseparable from the develo..
Analysisofwomen'simageinAmericanmoviesduringWorldWarII_开题报告 Ktbg14104  Analysisofwomen'simageinAmericanmoviesduringWorldWarII_开题报告

The sociological theory of film believes that video witnesses social reality, and various elements in it are inextricably linked to society. The times make everything, and the success of a film is inseparable from the development of the environment of the times raise and contrast. The film has a deeper communication effect beyond the level of media technology and cultural propaganda, and can help the ideological transformation of industrial producers and consumer audiences in both directions. 
From the Civil War after the mid-19th century, the “Anti-Slavery Association” organized by women began the first feminist movement to the first half of the twentieth century to win the right to vote and triggered the climax of the women ’s movement; by the 1960s, the American black movement for citizenship Provoked a women's movement and contributed to the climax of the second feminist movement. And the powerful trend of the late feminist movement has caused women's status to change. It has changed women's expectations and lives, and also affected men's views on women's lives and the way they treat women.
 In 1939, Germany invaded Poland and the Second World War kicked off. The Pearl Harbor incident forced the United States to change its attitude toward "World War II" from an isolationist policy to an interventionist policy. This war that the Americans avoided was an insignificant turning point in American history.
In the early days of  World War II, Turkistan still did not escape the shadow of the Great Depression. After the United States entered the war, millions of men were pulled to the battlefield, changing from unemployment to labor shortage. At that time, the Second World War was largely a production war. Whoever produced more bombs and more military equipment had a greater chance of winning the war. As a result, millions of men have left their jobs and the production sector is facing severe labor shortages. In order to ensure sufficient battlefield materials, the government began to call on women to go out of the family and to the society and the battlefield.
The traditional position of women in American society is the family, and the generally accepted concept in American society is "male masters and female servants". Women are the products of men, not independent people. Although the employment of American women before the Second World War was due to the industrial revolution and the economic depression, a large number of women entered the labor market. However, due to the fact that there are not many female sex workers, the employment development of women is very slow. Became an important production army, which provided an opportunity for women to enter the production field.
The magnificent history of American World War II movies is the golden age in the history of world war movies. Between 1942 and 1945, Hollywood produced a total of 1,700 films, of which about 500 were war films.
 
When the war first came to the United States, the United States did not directly participate as a neutral country, and there was a certain geographical distance from the United States to the Warring States. Therefore, they did not have much impression of the war.The Pentagon hosted a series of documentaries Why We Fight  played a great educational role. 
During the war, a lot of films were made celebrating the bravery of the US military on the battlefield. At this time, the film creation should inspire the people's fighting spirit and convey the message of the United States' fight for justice and freedom to the world.For example, Midway describes the scene of the US military's hard battle on the Pacific battlefield. Enemy at the Gates describes the worst battle in World War II. Memphis Beauty introduces the United States The Air Force set off from Britain to bomb Germany, and they greatly encouraged the morale of the American people. In addition, there are Pearl Harbor, Wind talkers, The Dirty Dozen: The Deadly Mission and so on.
At the end of the war and after the war, as Fury stated that the German Nazis had become the end of the crossbow, the Second World War was about to come to an end, the war was turning to the German mainland, and the production of war-themed movies would be biased towards realism. 'S calm reflection on the war. In addition there are Schindler's List, The Boy in the Striped Pajamas, Malèna and so on.
There are also many movies about women, such as Gone with the Wind, Paradise Road, In the Land of Blood and Honey, Casablanca, Little Women, Fort Bliss , A Mighty Heart ,Mrs Miniver ,BorntoLove , The Sins of  Modelon Claudet ,Possessed .According to the position of women, these films can be divided into two categories: women as family members and women as social people. The contradiction between the cultural values embodied in the movies has become the most distinctive feature of female movies. Women are the protagonists on the movie screen. Whether they are wives, mothers or laborers in the family, their abilities and powers are not inferior to those of male characters, but there is always a value in the movie that is intentionally or unintentionally: women really The function is to be a woman.
This article selects the female characters in the films Little Women and Mrs Miniver to specifically analyze the women in the film as family members and women as social people. The film Little Women takes female as the main character and presents 5 different female characters, including not only women as family members but also women as social members. They can see a very modern aspect: the image of women in the era of tenacity, independence, pursuit of freedom and ideals. On the other hand, the characters themselves cannot escape the shadow of traditional women. The final belonging of the characters is a happy and happy marriage. Realize the ideal of ego.
Mrs Miniver commends the unyielding spirit shown by women before the great danger faced by the domestic front. Among them are not only the shadow of women as family members but also the shadow of women as social people. They are both soldiers and mothers. As soldiers, they can sacrifice their lives. As mothers, they must ensure the continuity of the social structure.
The two films have similarities and differences. By analyzing the female protagonists, whether they are family members or as society members, they bravely face the test of war and the dramatic changes in life, and discuss the adjustment and transformation of American women's roles.

1. Changes in the role of women during World War II
1.1 Impact of World War II on American Women
1.2 Adjustment and transformation of women's roles
1.3 Female movies about World War II
2. The image of women in female movies
2.1 Analysis of the image of American women from the movie "Little Women"
2.2 Analysis of the image of American women from the movie "Mrs Miniver"
2.3 The commons of two movies
3. Summary of the image of American women shown in the movie

C. 参考文献
电子文献:
[1] Buttel R B H T . The Desire to Desire: The Woman\"s Film of the 1940sby Mary Anne Doane[J]. Film Quarterly, 1988, 41(4):54-56.
[2] Cunningham D A , Nelson J C . A Companion to the War Film (Cunningham/A Companion to the War Film) || The Wartime American Woman on Film[J]. 2016, 10.1002/9781118337653:89-105.
[3]Basinger J . The Wartime American Woman on Film: Home-Front Soldier[M]// A Companion to the War Film. 2016.
[4]Blaetz R . Visions of the Maid: Joan of Arc in American Film and Culture[M]. University of Virginia Press, 2001.
[5] Moravec, Bolton, Hawkins, et al. The Great War through Women's Eyes[J]. Pennsylvania history, 2017, 84(4):452.
[6]姚刚, 王爱华. 好莱坞黄金时代的女性电影特点研究[J]. 电影文学, No.590(17):11-12.
[7]姚刚. 析二战中美国妇女在女性电影中的形象[J]. 电影文学, 2011, 000(002):9-10.
[8]何小颖. 乔·马奇:妥协于传统的另一种“新女性”——《小妇人》的女性主义新解[J]. 科技信息(33):219.
[9] 雷芳. 1950年至2000年美国二战题材电影研究[D].
[10] 宋淑兰. 作者电影、新浪潮与女性主义:阿涅斯·瓦尔达电影研究[D].
[11] 张亚杰. 第二次世界大战对美国妇女的影响[D].



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