CuluralfacorsinsubileranslaionofEnglishmovies英语电影字幕翻译中的文化因素_开题报告

Film translation is a new field of research. Compared with western countries, the study of film translation in China is still late. So far, there has not been a mature theoretical system. However, as more and more foreign movies and TV plays, especially British and American works come into our eyes, good subtitling is especially important. China's famous translatorQian Shaochang, pointed out the importance of the translation of film, that the number of dubbed film audience although literary works more, but the translation circles attach great importance to the degree of films is far from literary works to the. Professor Qian Shaochang in the "film translation -- translation field more and more important in the field of" the article pointed out the importance of film translation, and summarizes the five characteristics of film and television works: listen, comprehensive, instant, popular, no note of. Professor Ma Zhengqi published the "Introduction" dubbed film can be said to be China's current film translation studies a higher level of work. The book uses linguistics, translation studies, communication studies, basic theories and research methods of semiotics and hermeneutics, on China's film dubbing work carried out in-depth and systematic research. And from the perspective of aesthetics of film dubbing, which has very high milepost type on the significance of film translation. Professor Ma also "on the basic principles of film translation" this book combines a large number of translation examples put forward the five basic principles of audiovisual translation: language, character, emotion, mouth, popularization. Professor Li Yunxing, director of the Translation Institute at the school of foreign languages, Tianjin University, published the subtitle research strategy in 2001. It studies the film and television works from the perspective of textual translation theory, which is very professional. In short, the quality of translation industry needs a standard to measure the art of translation, rather than simply using the translation is accurate as the only measure.

2.foreign research status

The research of film and television translation was first started in the 1960s in the west, and western translation studies have entered the era of rapid development in 1995, and the related researches have increased significantly. But over the past 20 years, many scholars have studied subtitle translation.

In 1974, Dollerup Cay studied the subtitle translation for the first time, and put forward the important significance of the subtitle in the field of teaching. It points out that the subtitles can be used to help foreign language learning.

In 1982, Titford Christophoer published an article entitled "subtitle: limited translation (Subtitling: Constrained Translation)" article, he believes that the subtitle translation is limited because of the special video and subtitles with the subtitles on space restrictions etc.. Derive essentially, from, the, constraints, imposed, on, the, translator, by, the, medium, itself, until the 90s of last century, the western film and television translation studies began its "golden age"". 

Film and television translation research has made a breakthrough in the development of the theory.

In 1991, Luyken worked with four film and television translation experts to publish the book "Overcoming Language Barriers in Television:Dubbing and Subtitling the European Audience ". From the perspective of professional analysis of different modes of translation in film and television works of language transformation, but listed in the book a lot of data, the number of European dubbed films, audience preferences and other personnel costs and made a systematic and detailed study.

In 1992, Swedish subtitles translator Ivarsson published its first comprehensive study of subtitle translation works, introduces the technology development of subtitle translation, published in the 1998 second edition of the book, the title changed to Subtitling, after adding a lot of film translation strategies and techniques such as digital technology under new technology. These two lays the foundation for the study of future film translation studies.

In 1995, it began to enter the era of rapid development of subtitle translation. Among them, the representative figure Gottlieb was the most systematic scholar in the field of film translation. He conducted a detailed study of subtitle translation, as well as the influence of Danish language in the prevalence of dubbed and subtitled English films. In recent years, academic conferences and research institutions on film and television translation have also been increasing in Europe, and the academic focus has been on subtitle translation studies. Film translation has been some attention in Europe, has formed a certain scale and system research, the object of study and perspective showing a trend of diversification, research is also a gradual increase in the academic status.

In 1995, the non - profit nongovernmental organization, the European film and television translation Association (ESIST), was founded by 16 teachers from 10 European countries who love film and television translation. The establishment of this organization has promoted the development of AVT research, and contributed to further systematization of subtitling translation studies.

Two. Outline of the thesis

1.1 A brief introduction to translation studies of films and TV works

1.2 subtitles translation history

2.1 about film translation

2.2 features of film translation

2.3 Limitations of subtitle translation infilms and TV programs

3.1 the translation theory of film and television works

3.2 the role of the translator in the translation of film and television works

3.2.1Subjectivity and creativity of translator

3.2.2 translator and film translation

3.3 English film and television translation as a cross-cultural and cultural constraints

3.4 strategies for subtitling translation of film and television works

3.4.1 punctuation mark

3.4.2translation of humorous language

4.1 limitations of today's research

4.2 suggestions for future development

参考文献：

钱绍昌.影片中双关语的翻译[J].上海：上海科技翻译2000 

麻争旗.影视翻译制度概论[M]北京.中国传媒大学出版社.2005

麻争旗.翻译.存在.文化.审美[J]北京.现代传播.2001（5）

李运兴.字幕翻译策略.[J]中国翻译.2001 

[5]王军. 论翻译中语篇解构与重构的思维模式[J]. 外国语,2002，(6). 

[6]吴义诚. 翻译研究的几个问题[J].中国翻译,1997,(2). 

[7]杨平. 对当前中国翻译研究的思考[J]. 中国翻译,2003, (1). 

[8]杨自俭. 我国译学建设的形势和任务[J]. 中国翻译,2002,(1). 

[9]张今. 文学翻译原理[M]. 开封：河南大学出版社,1987.

[10]Bell, R. T. Translation and Translating: Theory and Practice[M]. New York: Longman, 1991.  [11]Gutt, E.-A. Translation and Relevance: Cognition and Context[M]. Manchester: St. Jerome Publishing, 1991.  

[12]Nida, E. A. & C. R. Taber. The Theory and Practice of Translation[M]. Leiden: E. Brill, 1969.  [13]Newmark, P. Approaches to Translation[M]. Oxford and New York: Pergamon, 1981. 

[14]Steiner, G. After Babel: Aspects of Language and Translation[M]. Oxford: Oxford University Press, 1975.

[15]Titford.Christophoer.Subtitling:Constrained Translation[J].Lebende Sprachen,1982

[16]Dollerup Cay.On Subtitles in Television Programmes[J].Babel,1974